Coming off of his success re-launching the Star Trek series, J.J. Abrams gives us nostalgia for those early Spielberg classics with his new film Super 8. And in many ways he pulls it off. What I think is lacking in many movies these days are films depicting real kids, acting like real kids. This is what Spielberg perfected in E.T. It's so refreshing to see kids seen as full realized characters, not just set-pieces to create drama. For some reason, movies in the 80's were full of movies driven by kids as the main actors, with stories that adults could not only tolerate but really enjoy: E.T, Stand By Me, The Goonies, The Lost Boys, Karate Kid. Rarely do we see movies involving kids that approach anything worth spending $11 for these days.
But J. J. Abrams takes a play out of Spielberg's playbook here, and puts the story of a mysterious creature running a muck in small-town U.S.A. in the hands of child-actors. And it pays off big time. The early scenes when we are meeting the characters and watching this gang of kids make a home movie, is probably the best part of the film for me. The kids are witty, funny, and emotional, but all with that innocence you can't get with adult characters. Actually, the kids are so good, it highlights how weak and little developed the few adult characters are. The adults (the two father-figures) are clearly playing types to set-up the big heartfelt reunion at the end.
But that feel of early Spieberg is for the most part a welcome sight, even if it is pretty heavy-handed in some places - heck, even the setting of late 70's America evokes those films. And although it was an original score by Michael Giacchino, you would swear John Williams was behind the music. There are many scenes and shots that are direct homages to E.T.: the mass of flashlights running through the dark, the mad dash through town by the kids during a climactic scene, and a menacing scene inside a government-run labratory. But although noticable to any Spielberg fan, I thought all of this hat-tipping rarely took away from the story or the fun of watching a good sci-fi thriller - until the last scene that is.
|
doing their best E.T. impersonation |
Once the screen faded to black, I couldn't help imagine J. J. Abrams struggling with how to the end this film, and after days of getting nowhere he watches the end of E.T. for inspiration. He thinks, well, it worked in E.T., let's just copy the ending. Within a couple minutes of the end of the film, all the conflicts in the movie are all neatly wrapped up to set up that perfect E.T. ending, as all the main characters look on with tear-filled embraces and watch the space-ship with the departing alien aboard as he speeds away into the night. End credits. And if E.T. was on-board I may have understood the scene repeat, but here's an alien that (yes, deserves sympathy) but just ate half the town! You can't have an E.T. ending when the heartfelt goodbye is to a mass-murderer. Plus, the moment of heartbrake as the child symbolically let's go of his missing parent, played out to perfection in E. T., is so deliberately thrown in here for emotional impact as to be laughable. Did I mention this scene bugged me?
Ok, Ok, despite the ending and the wooden adult characters, the movie was still a lot of fun and a great, family-friendly summer flick. Enjoy! 3 Stars.
No comments:
Post a Comment